Prowling antiques stores for a suitable project for his own living room, Norm encounters Matt Buckley, an appraiser and antiques expert, who shows him an interesting Nest of Tables. Unlike anything else he has built on the show, Norm is intrigued by these three small mahogany tables that store into one another to form a "nest". The example that Matt shows Norm are likely to be English circa 1920 and are derived from the "Chippendale" style. Norm decides to build his own versions from walnut and mahogany and he reproduces the fine inlay details of the original.

To see Martha Washington’s bedroom, you’ll have to talk to the Ladies of Mount Vernon, who look after the first President’s mansion near the Potomac River. Although not officially on the tour of Mount Vernon, the Ladies agree to take Norm to parts of the old house that the public rarely sees. In one such room, the third floor bedroom that Martha took after George died, Norm comes across a handsome candlestand that sits near the bed. Upon further inspection, he discovers that it is a diminutive, wellcrafted stand complete with a wooden “birdcage” element that allows the tabletop to rotate and flip up for storage. Before he leaves Mount Vernon, Norm works with a sawyer of historic wood, William Jewell, to obtain some cherry (what else?) harvested from one of the estate’s fallen trees.

We first found this item in a decorator show house and were impressed with its functionality and beauty. No more than a shelf really, it is fastened to the wall with massive decorative brackets. It is a perfect solution for displaying vases, candles, lamps, and other objects in a narrow space. Norm builds his out of mahogany.

This project involves some considerable effort. At the suggestion of a friend who, with his colleagues, is trying to restore a historic river, Norm agrees to paddle a canoe over some rapids in search of some unusual white oak that’s been submerged there for nearly 150 years. The oak Norm wants was used as a dam on Virginia’s mighty Rappahannock River. Today it sits as a pile of salvage on the river’s edge just hoping a woodworker floats by to rescue some of it for furniture projects.

Norm engages Bill Jewell, a local sawyer of historical trees, to prepare this timber for the purpose of making a drop-leaved corner table, which Norm finds at nearby Kenmore House, a noted Fredericksburg mansion that was once owned by George Washington’s sister.

After Norm gets the wood to his shop, he spends considerable effort turning it into suitable pieces to make a copy of the original table - including the challenging turned legs that add so much style to this particular piece.

Poker is the game to be playing right now and Norm has a special project in mind for its legions of fans when he sets out to find and build the ideal table. He starts with the Internet and finds plenty of commercial variations and lots of information and inspiration that will help him create his table.

To find out what the locals are using, Norm interrupts a neighborhood poker game for a look at their table and comes away unimpressed. Although the one he finds supports eight players, their chips, their drinks, and the cards, it is profoundly ugly and shaky. Norm decides to build an improved version.

Norm creates his eight-sided table of mahogany and mahogany veneer plywood and places it on a sturdy pedestal. Rethinking the traditional felt covering typically used on these tables, Norm chooses a state-of-the-art synthetic fabric that offers a much-improved covering. He even finds brass cup holders, which are recessed into the top for holding beverages. The finished table is a winner.

One classic furniture form that Norm has long admired is the tilt top table. Graceful Chippendale feet support a central pedestal, which in turn supports the tilting mechanism and a glorious cherry top, which is fashioned in a "hanker chief" outline. When stored in the "up" position it provides a dramatic backdrop, and when it is down it is a comfortable and useful table for four. Norm finds the original at the historic Harrison Gray house on Boston’s Beacon Hill.

With no television and few newspapers to read, our ancestors had plenty of time for card games thus, game tables were very popular. They often featured circular tops that were hinged and could be folded, designed to be stored against the wall when not in use. When needed, the top flipped down on a hinged gate leg and was suitable for four card players. Norm discovered an example in historic Deerfield, Massachusetts, which he used as inspiration for his piece.

Every time Norm does an outside project it is an instant hit. This will be no exception. It’s a useful all-weather convertible bench/table. He found it in an old house in Saint Georges, Bermuda and thought it would be perfect for a New Yankee Workshop project. Made of rot-resistant cypress, this will only get more beautiful with age.

Norm visits an antique dealer who commissions reproduction English antique furniture for his shop on Nantucket, Massachusetts. At the shop Norm finds an extension table, which should be perfect for “dinner for 10 or more" and yet collapses down to 6 feet for non-feast days. Norm makes his own out of mahogany with an elegant two-leaved top that sits on a pair of Queen Anne period pedestals giving diners ample legroom under the table.

A pier table is a small table that is meant to be located between two windows. Norm finds a beautiful example of one at GKS Bush Antiques on Nantucket, Massachusetts. Made of poplar and beautifully painted with classic designs and a faux marble top, the original is stunning. Norm builds a copy and has it painted to match the original.

Lowboy’s are similar to the lower case of a classic highboy. Sometimes called a dressing table, they often come with two small drawers, one slightly larger with carved decoration and one long thin drawer under the top. Norm finds an early version of this classic at the Concord Museum in Concord, MA. Norm decides to embellish his with “Ball & Claw" type legs he gets from a company in Vermont who specialize in period decorative legs for furniture makers. With factory made legs and a plan for a Chippendale Lowboy in mind, Norm builds his version of the antique classic from solid cherry and carves a distinctive shell for the middle drawer.

Norm revisits Old Sturbridge Village and discovers an old table built by a colonial furniture maker more than 200 years ago. The “Butterfly" table gets its name from the graceful drop leaves and the wing-like supports that hold the tabletop straight. This versatile table can also be used with the leaves dropped or even with just one lowered to allow placement next to a wall. The table is built of cherry, stained with a dark stain, and protected by a polyurethane finish.

Norm finds a handsome dark wood French side table in a private collection on Nantucket. Made of dark hardwood, probably walnut, this single drawer original is straightforward to make; even the curved legs are easily managed in a well-equipped shop. Best of all, its elegant style and good proportions will fit nicely in any room of your home and suit many purposes.

It would be hard to imagine a more graceful dining table than Norm's new Queen Anne pedestal table. The beautiful round solid cherry top sits on a sturdy turned pedestal and is supported by three elegant legs. This is a perfect size for an animated dinner table conversation. Woodworkers will enjoy the challenge of building this heirloom of tomorrow.

How about a coffee table that once served as a portable platform to shear the wool from sheep? We're not sure how well it worked at that task, but Norm reinvents it as a handsome platform for books, plants, puzzles, canapés, and all the other things that clutter today's coffee tables. This is definitely a conversation piece. Made of recycled pine, this unusual table is easy to make and comes with a good story.

An antique cherry nightstand, circa 1840, found in a friend’s house on Nantucket Island, is inspiration for Norm to build his version in The New Yankee Workshop. This square- topped, single drawer nightstand has 4 handsomely turned legs. Norm uses cherry for the body of the piece, and fashions the drawer front from tiger maple as a distinctive contrast. The simple elegance of this nightstand assures its place as a family heirloom.

Norm visits an antique shop and spots a small round pedestal table that the dealer tells him may have originated in Indonesia. Maybe that’s why it was built from teak, a popular wood in that region. Norm likes the choice of the wood, for it means that the table can be used either inside or out. The tricky part of making a pedestal table is connecting the legs to the pedestal. After the pedestal is turned, and while it is still in the lathe, Norm uses a clever technique with a jig and a router to accurately cut the mortises.

Norm puts down his fork long enough to appreciate the craftsmanship of the handcrafted monastery table upon which he dines in one of Tuscany, Italy's, finest inns. Rescued from an ancient monastery, the table features all of the characteristics that one would expect to find in a piece of furniture that has endured years of hard use by the brothers. To replicate its charm, Norm spends some time hunting for the right timber and discovers a cache of Southern yellow pine still dripping with resin. Back at The New Yankee Workshop he fashions his version of this piece using a lathe and tablesaw.

Norm visits the fabulous Biltmore Estate in Asheville, North Carolina. Built in 1880 by George Washington Vanderbilt, the 250-room French Renaissance-inspired chateau boasts a stunning collection of fine furniture including original Sheraton and Chippendale. Among the collection, Norm discovers a sophisticated mahogany dressing table with a foldaway mirror and graceful turned legs that he decides to replicate in The New Yankee Workshop. In the second of two episodes devoted to the making of an heirloom-quality dressing table found among the famed Biltmore Estate's collection, viewers find Norm in a national forest in North Carolina. There he learns how the U.S. Forest Service regulates the flow of timber to end users. Afterwards he goes behind-the-scenes at a plywood mill in nearby Asheville to see how high-quality plywood is made.

Norm wanders into a country European antique shop and walks out with a treasure, a low English server, also commonly known as a sideboard. Simple in its design, the long antique pine boards are what give this piece its stunning character. Norm crafts his version of this piece out of some surprising distressed antique boards and proves that its natural beauty could earn it a place in any room of the house. The result will leave viewers hard-pressed to tell which is the antique and which is the production.

True gourmets will appreciate Norm's more sophisticated butcher block-topped chef's table which has both great style and utilitarian value. Featuring a poplar base with graceful tapered legs, it includes a built-in knife rack, towel racks, and pull-through drawers which can be accessed whether working at the stove or by the sink, as well as a large shelf for storing stock pots. Watch and learn: how to prepare rough-cut lumber, making blanks to create tapered legs, mortise and tenon joinery techniques, finger joint construction.

Norm travels to Savannah, Georgia, to meet Greg Guenther, a respected local craftsman known for his skills at making period furniture and for his restoration work of Historic Savannah mansions. In Guenther's private collection of period pieces, Norm spies a stunning nineteenth-century, black walnut, drop-leaf dining table with graceful turned legs. Before heading back to The New Yankee Workshop to recreate this heirloom piece, Norm joins Guenther in his workshop for a lesson on how to master a high-gloss finishing technique that enhances the natural beauty of wood.

Viewers find Norm celebrating the tenth anniversary season of The New Yankee Workshop on the quaint New England island of Nantucket in an antique shop that specializes in Irish country furniture. There, he spies what he calls "the perfect occasional table," an antique Celtic pine table with a thirty-six-inch round atop four graceful, tapered legs. Back in The New Yankee Workshop, Norm fashions his own version using recycled pine, and in the process demonstrates mortise-and-tenon joinery techniques and shows how to make a tapering jig.

It's a great family gathering table and perfect for playing games with the kids, Norm claimed when he discovered the original in a private collection in Savannah. The ingenious design of this table features a lazy Susan centerpiece which can easily be removed for more formal gatherings. While building this piece out of salvaged pine, Norm shares his secrets for creating the spindle centerpiece with minimal hardware.

This lovely washstand is true to the circa 1830 original found in the antique collection of Stanley and Jacqueline Levine of Savannah, Georgia. Featuring elegant scroll- work, turned legs, and a generous shelf drawer, this vintage design can be used today as a night stand. Norm produces this piece out of fine tiger maple, making it one of the most sophisticated pieces in his collection of low-country furniture.

While touring Savannah, Norm found the inspiration for this unique piece in Marty Johnson's antique collection. Though its name remains a mystery, there's no question that its graceful three-leaf-clover design makes it an attractive and practical accent table. Norm brings a little bit of Georgia back to The New Yankee Workshop when he creates the table out of Southern heart pine.

Norm finds the quintessential gathering table - it's 10 feet long - in the wine tasting room at the Myacamas Vineyards in Napa Valley. He fully demonstrates his master craftsmanship by reproducing this impressive piece of furniture, destined to become a family heirloom. To add to the integrity and value of this piece, he uses two different types of recycled pine that are peppered with interesting wood knots, buckshot and other natural irregularities.

Built of recycled chestnut barn timber, this generously sized coffee table is a reproduction pine table displayed at the Grace Family Vineyards in St. Helena. Featuring large turned legs and a natural oil finish, this table is as individual as the limited edition Cabernet Grace the vineyard is famous for.

True to its name, this handsome mahogany piece is actually a tray and table in one: the tray features simple, sturdy handles that allow it to he used independently of its stand. Inspired by the TV tray tables of the 1950s and '60's, Norm's design seamlessly joins form with function.

Norm visits Old Sturbridge Village, a "living history" museum in Sturbridge, Massachusetts, to investigate colonial life and furnishings and returns to the workshop with a period design for an X-brace trestle table. The handsome sturdiness of this versatile cherry piece makes it a welcome addition to any room, whatever the decor.

Norm's version of the indispensable kitchen staple, the butcher block, features a hard endgrain maple top instead of the usual parallel grain. The base of this English country piece is sturdy poplar. Norm demonstrates how to cut the endgrain carefully, thus avoiding excess sanding of this tough wood.

We call these buffets, huntboards or servers in America, but they're sideboards in England, and some are up to nine feet long. Norm's smaller white oak version has three drawers, fiddle-shaped legs and a pot board (a large open shelf between the legs for storage). Norm guides viewers in cutting the curves of the piece on a scroll saw.

This simple, versatile English country pantry table needn't be confined to the pantry: it can serve as a bedside table, writing desk and more. Norm uses a table saw to craft this piece and explains how to taper its legs and form the delicate bead detail around the drawer front. Norm adds a breadboard edge to this classic's top - for extra stability.

Americans are mad for coffee tables! Norm's version of this feature of modern life is inspired by the English country look (there's no such thing as an English country coffee table) and by the rugged appeal of an antique workbench. Norm instructs viewers how to use a v-groove to give the table's top a thick plank-like look.

This tall English country plant stand is perfect for a temperamental fern. The trick to this relatively-simple project is tapering its long thin legs. Norm demonstrates how to make a jig to do just that. This straight-grained sugar pine stand protects ferns, ivies or other delicate plants that resent touching.

Norm builds his version of a perennial favorite, the Victorian kitchen table, using a design that combines the best features of three tables he studied in Britain. Made of century-old "sinker" pine salvaged from river bottoms in the southeastern United States, the table has a deep storage drawer that extends halfway under the table. Norm demonstrates how to incorporate this drawer into the table's design and how to turn the table's sturdy legs on a lathe.

For this project, Norm uses his Yankee ingenuity to convert wood recycled from a pallet to usable pieces and demonstrates planing, edging, and other preparation techniques. Though decidedly "distressed" even after it is put through a planer, these slats yield handsome pieces with lots of "character" that form the top and sides of Norm's rustic coffee table. Because each pallet is different, every coffee table is unique.

An unusual piece, the hardwood cricket table features three angled legs. Norm demonstrates the complex angled mortise-and-tenon joinery necessitated by this configuration, using a set of jigs to make sure that all the pieces fit together properly.

A perfect piece for behind a sofa or in a hallway, Norm's version of the Shaker library table is made of cherry, 48 inches long and a mere 16 inches wide. Norm reveals his secret method of matching the grain of the fronts of the two overlaid drawers with the rail behind them.

Norm looks through the Shaker museum in Old Chatham, New York, and finds a simple, beautiful design on which to base his version of a long harvest table made of cherry. With turned legs and a hand-rubbed Danish oil finish, the table features drop leaves that, even when down, allow chairs to be pushed in for a neat appearance.

Norm constructs a kitchen table that functions equally well as a dining table or a worktable. Built of pine, the table features tapered legs and storage drawers, with a center rail joining the pairs of legs. Norm employs a specially made tapering jig to fashion the legs and uses mortise-and-tenon joints to put the table together.

Norm drops in on the Fitch House in Old Sturbridge Village, central Massachusetts' "living history" museum, to look at a chair table, with a tabletop that pivots back to form a back rest and a seat with a drawer underneath. Norm's version of this unusual but comfortable and serviceable piece features hardwood (maple) where needed - on the tabletop, arms and feet - and poplar for the sides, seat and drawer front. Norm cuts the shaped side pieces and curved arms and feet on the band saw, shows how to create a sliding dovetail joint to attach the seat and drawer support to the sides, and demonstrates a trick for cutting the large circular tabletop by mounting a specially made jig on the band saw.

Norm visits Kingscote, an elegant Gothic Revival house in Newport, Rhode Island, for a look at a mahogany butler's table with four leaves that fold down on solid brass hinges. For his version of this stylish antique, Norm demonstrates the technique of biscuit joinery to glue together the boards for the tray, crafts mortise-and-tenon joints to connect the rails of the base, uses a molding head cutter on his table saw to add a decorative bead to the rails, and shows how to mount the tray's special hinges.

Norm demonstrates how to build a slant-top writing desk with tapered legs, a shallow desk drawer and a nest of small drawers and open bins fitted into the top. Constructed mostly of maple.

Norm travels to the Hancock Shaker Village in western Massachusetts to gather ideas for his own design for a candle stand. Returning to his workshop, Norm shows home woodworkers how to build an exact replica using power tools, including a lathe, router and band saw.

Norm visits Old Sturbridge Village, a "living history" museum in Sturbridge, Massachusetts, to investigate colonial life and furnishings and returns to the workshop with a period design for an X-brace trestle table. The handsome sturdiness of this versatile cherry piece makes it a welcome addition to any room, whatever the decor.

Norm constructs a bedside table inspired by one found at the Hancock Shaker Village in western Massachusetts. Norm's design, made from pine, features a shallow drawer, table legs tapered on the inner sides and a table top with a breadboard design (glued boards edged with wood on two ends).

Norm uses ash, a durable hardwood, to fashion a drop-leaf table featuring turned legs, a top and leaves made from glued up stock. Norm shows how to turn the table legs on a duplicating lathe and reveals a few tricks for making mortise and tenons joints. Using a router and two special bits, he shows how the drop-leaf joint is made.

Prowling antiques stores for a suitable project for his own living room, Norm encounters Matt Buckley, an appraiser and antiques expert, who shows him an interesting Nest of Tables. Unlike anything else he has built on the show, Norm is intrigued by these three small mahogany tables that store into one another to form a "nest". The example that Matt shows Norm are likely to be English circa 1920 and are derived from the "Chippendale" style. Norm decides to build his own versions from walnut and mahogany and he reproduces the fine inlay details of the original.

To see Martha Washington’s bedroom, you’ll have to talk to the Ladies of Mount Vernon, who look after the first President’s mansion near the Potomac River. Although not officially on the tour of Mount Vernon, the Ladies agree to take Norm to parts of the old house that the public rarely sees. In one such room, the third floor bedroom that Martha took after George died, Norm comes across a handsome candlestand that sits near the bed. Upon further inspection, he discovers that it is a diminutive, wellcrafted stand complete with a wooden “birdcage” element that allows the tabletop to rotate and flip up for storage. Before he leaves Mount Vernon, Norm works with a sawyer of historic wood, William Jewell, to obtain some cherry (what else?) harvested from one of the estate’s fallen trees.